Titlebook: Contemporary Diasporic South Asian Women‘s Fiction; Gender, Narration an Ruvani Ranasinha Book 2016 The Editor(s) (if applicable) and The A

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Migration, Gender and Globalisation in Jhumpa Lahiri,ist critical expectations. Towards the end of the chapter, Lahiri’s interventions are briefly contextualised in relation to the different trajectories of her migrant peers, Kamila Shamsie, Uzma Aslam Khan, Roshi Fernando and V.V. Ganeshananthan.

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Book 2016am, Monica Ali, Kamila Shamsie and Jhumpa Lahiri from a feminist perspective. It charts the significant changes these writers have produced in postcolonial and contemporary women’s fiction since the late 1990s. Paying careful attention to the authors’ distinct subcontinental backgrounds of Pakistan,

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https://doi.org/10.1007/978-3-8349-8142-4arratives of Bangladesh and Pakistan. However, these nations are narrated through the experience of nation-formation for women not centrally involved with the 1971 secession of Pakistan that led to Bangladesh becoming an independent state. Around one million Bengalis are believed to have been killed

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Caroline Philipp,Henning H. Rüthxts of migration at their centre: . (1999), . (2004), . (2008) and . (2013b). They highlight Lahiri’s intervention in complicating and expanding feminist critical expectations. Towards the end of the chapter, Lahiri’s interventions are briefly contextualised in relation to the different trajectories

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