Titlebook: Contemporary Diasporic South Asian Women‘s Fiction; Gender, Narration an Ruvani Ranasinha Book 2016 The Editor(s) (if applicable) and The A

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書目名稱Contemporary Diasporic South Asian Women‘s Fiction影響因子(影響力)




書目名稱Contemporary Diasporic South Asian Women‘s Fiction影響因子(影響力)學科排名




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書目名稱Contemporary Diasporic South Asian Women‘s Fiction網(wǎng)絡公開度學科排名




書目名稱Contemporary Diasporic South Asian Women‘s Fiction被引頻次




書目名稱Contemporary Diasporic South Asian Women‘s Fiction被引頻次學科排名




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書目名稱Contemporary Diasporic South Asian Women‘s Fiction年度引用學科排名




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書目名稱Contemporary Diasporic South Asian Women‘s Fiction讀者反饋學科排名

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Globalisation, Labour, Narrative and Representation in Arundhati Roy, Monica Ali and Kiran Desai,hat Desai’s non-linear, elaborately structured narrative shares a related intervention to stretch the possibilities of realist fiction to capture the plight of those disenfranchised by the economic operations of globalisation. As Desai observes, ‘In a world obsessed with national boundaries and belo

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Einleitung und Gang der Untersuchung,blished writers such as Roy (b. 1961, India) and in comparison to lesser-known diasporic women writers, including Sorayya Khan (b. 1967, Pakistan/Netherlands/USA), Uzma Aslam Khan (b. 1969, Pakistan/UK/USA), Roma Tearne (b. 1954, Sri Lanka/UK), Roshi Fernando (b. 1966, Sri Lanka/UK) and V.V. Ganesha

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Introduction,es primarily on Kiran Desai (b. 1971, India/UK/USA), Tahmima Anam (b. 1975, Bangladesh/USA/UK), Monica Ali (b. 1967, Bangladesh/UK), Kamila Shamsie (b. 1973, Pakistan/USA/UK) and Jhumpa Lahiri (b. 1967, USA/India/Italy). This new wave of diasporic anglophone South Asian feminist fiction writers came