Titlebook: Contemporary American Crime Fiction; Hans Bertens,Theo D’haen Book 2001 Palgrave Macmillan, a division of Macmillan Publishers Limited 200

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The Personal and the Regional: New Forms of Authenticity in Female Crime Writing,t out of sight. The detective’s personality and personal qualities of course constitute a factor of some significance. A reservoir of arcane and somewhat dubious knowledge may matter, as S.S. van Dine’s Philo Vance and other overeducated gentleman-sleuths have repeatedly demonstrated, or the tenacit

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,Los Angeles Police Department: Ellroy’s and Connelly’s Police Procedurals,cBain’s immensely popular 87th Precinct series (1956 to the present day) to James Lee Burke’s, James Ellroy’s, and Michael Connelly’s highly acclaimed novels of the 1980s and 1990s. Of these last three, it is undoubtedly Ellroy who has taken this particular genre furthest in the direction of social

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Private Investigation in the 1990s,he ‘King’ Presley. . (1987), in which Cole made his debut, won an Anthony for Best Paperback Original and a Macavity for Best First Novel, and was nominated for Edgar and Shamus Awards. . (1993) was nominated for an Edgar. . (1996) won, and . (1997) was cited for, a Shamus Award. In many ways Robert

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,‘Other’ Detectives: the Emergence of Ethnic Crime Writing,al, and economic change or upheaval. In the case of the detective this is very clear. The genre originated in early and mid-nineteenth-century France and England, closely upon the creation of the first modern and professional police services. This development itself marked the middle-classes’s deter

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