Titlebook: Contemporary American Crime Fiction; Hans Bertens,Theo D’haen Book 2001 Palgrave Macmillan, a division of Macmillan Publishers Limited 200

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The Persistence of Gender: the Private Investigators of S.J. Rozan,ot mean that women writers have completely given up on male investigators, witness the work of Martha Grimes and Elizabeth George. However, Grimes and George work in a subgenre in which the female-created male investigator has a long and impressive tradition, and on which they consciously draw. One

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https://doi.org/10.1007/978-3-663-00212-3eption, at least from the 1930s on, to this strange neglect of the private side of the detective’s life is the love that leads to marriage. Dorothy Sayers’s Lord Peter Wimsey, Margery Allingham’s Albert Campion, Ngaio Marsh’s Roderick Alleyn, Nicholas Blake’s Nigel Strangeways and a good many others

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The Old Guard in the mid-1990s: Muller, Grafton, and Paretsky,it seems a good bet to go with writers of an undisputed status, writers who by both readers and by their crime writing colleagues are seen as absolutely major figures, and as having made seminal contributions to the genre.

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The Personal and the Regional: New Forms of Authenticity in Female Crime Writing,eption, at least from the 1930s on, to this strange neglect of the private side of the detective’s life is the love that leads to marriage. Dorothy Sayers’s Lord Peter Wimsey, Margery Allingham’s Albert Campion, Ngaio Marsh’s Roderick Alleyn, Nicholas Blake’s Nigel Strangeways and a good many others

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2947-8340 ilding on a discussion of the immediate predecessors, Bertens and D‘haen focus on the work of popular and award-winning authors of the last fifteen years. Particular attention is given to writers who have reworked established conventions and explored new directions, especially women and those from e

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