Titlebook: Coleridge and the Concept of Nature; Raimonda Modiano Book 1985 Raimonda Modiano 1985 Coleridge.concept.nature.Samuel Taylor Coleridge

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Chivalry or Contest? Coleridge, Wordsworth and ‘The Goddess Nature’he eyes of powerful men on whom he bestowed more affection than he would or could hope to get in return. He was given to idolizing his friends and easily disappointed when he sensed the slightest breach of loyalty. He was also easily persuaded of his own worthlessness by comparison with the creative

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Self and Nature: The Early Poetryssages) in which an encounter with nature becomes the central event and leads to various reflections on the possibilities and dangers of a close intimacy with natural objects and, conversely, on the incapacitating effect of a complete separation from them. Some of these poems (‘The Eolian Harp’, ‘Re

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Coleridge’s Philosophy of Symbolismedly, Coleridge gave the symbol privileged status in his writings, and regarded it not only as a literary trope, superior to allegory, but as an elevated means of attaining self-knowledge and moral values. For Coleridge the symbol made possible the fellowship between the sensible and the super-sensi

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