Titlebook: Coleridge and the Concept of Nature; Raimonda Modiano Book 1985 Raimonda Modiano 1985 Coleridge.concept.nature.Samuel Taylor Coleridge

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Coleridge’s Conception of the Sublimeowever, when Milton adds the line ‘Far off their coming shone’, he achieves the ‘highest sublime. There is . completeness. So I would say that the Saviour praying on the Mountain, the Desert on one hand, the Sea on the other, the City at an immense distance below, was sublime. But I should say of th

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Coleridge and the Romantic Sublimetracted to Kant, he approached Kant’s philosophy cautiously, particularly where he perceived that taking a Kantian position meant a radical denial of the natural world. Although Coleridge firmly supported Kant’s view that the sublime resides in the mind and not in objects, he stretched and adjusted

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Coleridge and Natural Philosophyojected version, the ‘Logosophia’ was to include a separate treatise on ‘the Dynamic or Constructive Philosophy as opposed to the Mechanic’ and another on ‘the Systems of Giordano Bruno, Behmen, and Spinoza’ (., ., 687). Although Coleridge’s . turned out to be no more than a ‘poignant illusion’, as

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The Development of Dynamic Philosophy: The Problem of Hierarchy and Unityrtant discoveries. Historians of science have long recognized that Oersted’s discovery of electromagnetism or Ritter’s discovery of ultraviolet light were born out of speculations drawn from Kant’s and Schelling’s philosophy, with which both scientists were well acquainted.. At the same time, ideas

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Origins of Coleridge’s System of at, to the contrary, objects must conform to the constitution and function of our cognitive faculties, and that ‘we can know . of things only what we ourselves put into them’ (Preface to the Second Edition, pp. 22–3). Second, metaphysics had lost its main claim to scientific status when it aligned i

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Introduction: Coleridge and the Natural Worldhimself to the much worthier cause of deepening man’s sensitivity to nature. He informed his brother that he had given up his concern with revolutions and social reforms, having realized ‘the error of attributing to Governments a talismanic influence over our virtues & our happiness’. Governments ri

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Coleridge and the Picturesqueas his notebooks convincingly show, he spent countless hours as ‘a(chǎn)n Eye-servant of the Goddess Nature’ (.; I, 658), taking painstaking notes on landscapes. Those looking for signs of Coleridge’s conversion to transcendentalist thought in the journals and letters written during his trip to Germany (1

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