Titlebook: Classical Culture and Witchcraft in Medieval and Renaissance Italy; Marina Montesano Book 2018 The Editor(s) (if applicable) and The Autho

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Representations of Affine Hecke Algebrasough the early Middle Ages, and what the role of these was—noting in particular the many ways in which these laws influenced the juridical codes of the ‘Barbarians’. The greatest evident influence is seen in language, as using Latin to translate ideas and beliefs originally born in another context was never an easy task.

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2731-5630 e perception of the Renaissance as an enlightening movement.This book explores the relationships between ancient witchcraft and its modern incarnation, and by doing so fills an important gap in the historiography. It is often noted that stories of witchcraft circulated in Greek and Latin classical t

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Introduction,y secular or religious, he was acquainted with humanistic culture and practised a faith purged of many beliefs deemed ‘superstitious’, an attitude that shines through in the account he wrote of his travels.

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,‘Twelve Thousand Circes’,ly this dialogue which draws heavily on ancient, classical sources and relates them to contemporary witchcraft; indeed, this linking of learned and lay narratives will become a common feature of all the treatises on the dangers of the witchcraft phenomenon between the fifteenth and the early sixteenth centuries.

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,‘A Company That Go the Course’, ideas became entangled with popular beliefs about witchcraft. Secular culture, too, embraced those motifs: the works of authors as different as Albertino Mussato and Giovanni Boccaccio are equally rich with classical quotations and provide hints of popular beliefs having been folded into their narratives.