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Titlebook: Classical Culture and Witchcraft in Medieval and Renaissance Italy; Marina Montesano Book 2018 The Editor(s) (if applicable) and The Autho

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發(fā)表于 2025-3-21 18:06:26 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書(shū)目名稱(chēng)Classical Culture and Witchcraft in Medieval and Renaissance Italy
編輯Marina Montesano
視頻videohttp://file.papertrans.cn/228/227053/227053.mp4
概述Demonstrates how ancient Greek and Roman beliefs and descriptions of magic impacted modern ideas of witchcraft and witch hunts.Challenges the perception of the Renaissance as an enlightening movement.
叢書(shū)名稱(chēng)Palgrave Historical Studies in Witchcraft and Magic
圖書(shū)封面Titlebook: Classical Culture and Witchcraft in Medieval and Renaissance Italy;  Marina Montesano Book 2018 The Editor(s) (if applicable) and The Autho
描述This book explores the relationships between ancient witchcraft and its modern incarnation, and by doing so fills an important gap in the historiography. It is often noted that stories of witchcraft circulated in Greek and Latin classical texts, and that treatises dealing with witch-beliefs referenced them. Still, the role of humanistic culture and classical revival in the developing of the witch-hunts has not yet been fully researched. Marina Montesano examines Greek and Latin literature, revealing how particular features of ancient striges were carried into the Late Middle Ages, through the Renaissance and into the fifteenth century, when early Italian trials recall the myth of the strix common in ancient Latin sources and in popular memory. The final chapter also serves as a conclusion, to show how in Renaissance Italy and beyond, classical accounts of witchcraft ceased to be just stories, as they had formerly been, and were instead used to attest to the reality of witches’ powers.
出版日期Book 2018
關(guān)鍵詞myths; Ancient Greece; folklore; Ancient Rome; religion
版次1
doihttps://doi.org/10.1007/978-3-319-92078-8
isbn_softcover978-3-030-06358-0
isbn_ebook978-3-319-92078-8Series ISSN 2731-5630 Series E-ISSN 2731-5649
issn_series 2731-5630
copyrightThe Editor(s) (if applicable) and The Author(s) 2018
The information of publication is updating

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,‘A Company That Go the Course’,ed to magic and witchcraft. As in the previous chapter, this one mainly tracks words related to the classical .: . and . populate French medieval literature, which most resisted the diffusion of classical authors like Ovid and Apuleius. Nonetheless, classical culture had a formative impact on Italia
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,‘Let’s Send Up Some Incense to the Lord!’,ers of his time, is the main focus of this chapter. I examine these men’s contribution to the revival of the classical image of .. The efficacy of preachers in modifying collective perceptions of the nature of witchcraft was catalysed in Italy by lingering popular memories of ancient ., as is shown
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The Italian Quattrocento,rugia. Where Bernardino of Siena and the others, with their classical educations, formed an image of the witch drawing on the vivid descriptions of . in Ovid, Petronius and Apuleius, the transposition of literary . into the trials led to a different set of assertions. Some features of those accused
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Classical Culture and Witchcraft in Medieval and Renaissance Italy
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https://doi.org/10.1007/BFb0074130. Further, the Roman world produced sets of legislation, from the Twelve Tables to the Theodosian Code, which dealt with harmful magic and which would go on to influence the entire European tradition.
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