Titlebook: City and Modernity in Georg Simmel and Walter Benjamin; Fragments of Metropo Vincenzo Mele Book 2022 The Editor(s) (if applicable) and The

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What Is The Arcades Project?l project, which lasted for a full fourteen years (1926–1940). It develops from the hypothesis of a short article (in collaboration with his writer friend Franz Hessel) to a comprehensive research project on the origins of bourgeois culture. The work on the Paris Passages was in fact intended to be

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The Phantasmagoria of Modernity: On Commodity Fetishismrx’s reflections, intended to develop a social, historical, psychological, and theological theory of metropolitan modernity as a dream world. The phantasmagoria spoken of at the beginning of Capital becomes for Benjamin the very culture of the commodity-producing society: it tends in the social real

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Baudelaire as the Lyric Poet in the Age of Mature Capitalismarles Baudelaire. The peculiarity of Benjamin’s analysis is to place Baudelaire’s poetry in relation to the experience of the capitalist metropolis. The allegorical sensibility of the German Baroque comes up again in the context of Second-Empire Paris. Baudelaire sees Paris as a city of ruins, trans

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Conclusions: Metropolis as Tragedy, Metropolis as Trauerspielarch presents?a pre-history of postmodern culture. Simmel’s and Benjamin’s reflections on the metropolis are similar but not analogous and revolve around different philosophical and sociological?centers. These centers are precisely modernity as tragedy and modernity as . This conception of the metro

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Supporting Nested Resources in MrsPtly searches for interrelations, analogies, opposite “dualisms,” and paradoxes: to these polarities, his own thinking provides a “third” way that demonstrates the underlying unity between the opposite poles and preserves the tension in all its vigor. The “third” does not however exist independent of

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