Titlebook: City and Modernity in Georg Simmel and Walter Benjamin; Fragments of Metropo Vincenzo Mele Book 2022 The Editor(s) (if applicable) and The

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Johann Blieberger,Bernd Burgstaller, it is imperative to focus attention on the famous essay . [1903]. The 1903 essay, in fact, substantially summarizes the theses contained in . (1900), in which Simmel performs a multidisciplinary analysis of the monetary economy from a philosophical, sociological, psychological, and economic point

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Lecture Notes in Computer Sciencel project, which lasted for a full fourteen years (1926–1940). It develops from the hypothesis of a short article (in collaboration with his writer friend Franz Hessel) to a comprehensive research project on the origins of bourgeois culture. The work on the Paris Passages was in fact intended to be

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https://doi.org/10.1007/978-3-319-92432-8on and would have preceded his work on the passages of Paris with a gnoseological premise (.) along the lines of his study on the German Trauerspiel. These reflections on the theory of knowledge comprise the features of the “historical-sociological physiognomy” through which Benjamin intended to int

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Omar Jaradat,Sasikumar Punnekkatrx’s reflections, intended to develop a social, historical, psychological, and theological theory of metropolitan modernity as a dream world. The phantasmagoria spoken of at the beginning of Capital becomes for Benjamin the very culture of the commodity-producing society: it tends in the social real

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Helge Hagenauer,Werner Pohlmannarles Baudelaire. The peculiarity of Benjamin’s analysis is to place Baudelaire’s poetry in relation to the experience of the capitalist metropolis. The allegorical sensibility of the German Baroque comes up again in the context of Second-Empire Paris. Baudelaire sees Paris as a city of ruins, trans