Titlebook: Chronotropics; Caribbean Women Writ Odile Ferly,Tegan Zimmerman Book‘‘‘‘‘‘‘‘ 2023 The Editor(s) (if applicable) and The Author(s) 2023 Lite

Bronchial-Tubes

A Site of Memory: Revisiting (in) Gisèle Pineau’s y to the reader’s expectations, however, this memory jail functions as a welcoming, nurturing, womb-like space, as conceptualized by Betty Wilson. Scenes from the past are revisioned and at times, reenacted, as Pineau’s eighteenth-century ancestor Angélique, grandmother Julia, mother Daisy, and aunt

debunk

guardianship

Writing “In Transit”: Literary Constructions of Sovereignty in Julia Alvarez’s 00 Dominicans of Haitian descent. The ruling, from the Dominican Republic’s highest court, reinterpreted the constitutional use of the word “in transit” to claim that the term describes the descendants of any undocumented residents in the country, thus thrusting these individuals into statelessness.

使乳化

難聽的聲音

Re-mapping the Caribbean Gothic in Nalo Hopkinson’s , and Shani Mootoo’s and Canadian-born characters. Hopkinson’s . (2013) is a supernatural fantasy caper, whereas Mootoo’s . (2005) tells a postcolonial, neo-Gothic love story. Both novels use water imagery to convey the diasporic connections linking Caribbean and Canadian life; these novels discuss Canadian lakes rathe

圖表證明

Imagining Beyond Division, an Environmental Future: Pauline Melville’s , and Elizabeth Nunez’s ,. Haraway calls “worlding.” Caribbean colonial cultures were built on division, ignorant, indifferent or hostile to the interconnected fabric by which all life exists. Those chickens have come home to roost in our present moment of environmental peril. Pauline Melville’s . (1997) and Elizabeth Nunez’

Spirometry

高調(diào)

Creolizing Science in Mayra Montero’s ccurred between science and art, science and an imaginative psychological, even magical apprehension of the universe” (41). The novel reveals that it is in the violent subjugation of women that the costs of such a break are most visibly articulated. Montero’s narrative represents an Afro-Caribbean c

aristocracy

用肘

At the Crossroads of History: The Cohabitation of Past and Present in Kettly Mars’s as a conduit for historical discourse that too often silences women. Similarly, Kettly Mars’s . (2018) shifts the emphasis of the Bois-Ca?man ceremony from Boukman to the lesser-known woman said to have assisted at the ritual. In the novel, the spirit of Marinette ., a vengeful . believed to have be