Titlebook: Chronotropics; Caribbean Women Writ Odile Ferly,Tegan Zimmerman Book‘‘‘‘‘‘‘‘ 2023 The Editor(s) (if applicable) and The Author(s) 2023 Lite

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Writing “In Transit”: Literary Constructions of Sovereignty in Julia Alvarez’s ola-rooted, diasporic text. The chapter critically approaches how . both centers and decenters global sites of “contested sovereignty” and how the various interpretations of Dominican (American) women as well as undocumented workers in Vermont relate to gendered constructions of nation and citizensh

外表讀作

When the Tout-Monde Is Not One: Maryse Condé’s Problematic ‘World-in-Motion’ in , (2008) and , (2017eveal skepticism with respect to Glissantian ideals about Relation in the Tout-Monde of exchange. The fundamental questions she asks in her radical remapping of Glissantian philosophy in her novels demonstrate a concern that positive mobility, transnationalism, human contact and exchange are illusio

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Re-mapping the Caribbean Gothic in Nalo Hopkinson’s , and Shani Mootoo’s bbean family traditions can place on their female family members to arrive at a new Caribbean Canadian Gothic. Both novels reject the misogynistic traditions that require a woman’s complicity in her own disempowerment, like remaining in a loveless marriage or acquiescing to an overbearing mother-in-

Prologue

憂傷

把…比做

態(tài)度暖昧

矛盾心理

Fiction as a Spider’s Web? Ananse and Gender in Karen Lord’s Speculative Folktale , the heroine Paama, and the goddess Atabey. In doing so, Lord offers a new futuristic, feminocentric Ananse story whose weblike concentric patterns interweave the African past with the Caribbean present, the ancestral homeland with the diaspora.

角斗士

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