Titlebook: Choreography and Corporeality; Relay in Motion Thomas F. DeFrantz,Philipa Rothfield Book 2016 The Editor(s) (if applicable) and The Author(

純樸

假設(shè)

Choreography as Meshwork: The Production of Motion and the Vernaculara, by preserving the power of the modern subject as author who desires the Other as material for her/his product. Discussing Western ethnocentric ethics of ‘generosity’ in relation to Jerome Bel’s work, I examine the possibility of an alternative conception of choreographic practice based on Tim Ing

清楚

Abrade

博識

Festivals and Local Identities in a Global Economy: The Festival of India and Dance Umbrellaitain in 1982, then extended to sites such as the United States, France, the Soviet Union, Germany, and China. Although using a similar terminology to the Festival of India, Dance Umbrella began in 1978 as a showcase of independent performance, initially centred on a single, small-scale venue. Only

gentle

尖酸一點

打火石

Speaking Africa, ,: A German–C?te d’Ivoire Performing Arts Dialogueions. This leads to a growing interest in cultural resource that would bring in locally, regionally, or even nationally specific artifacts. In the European context, Africa seems to have received special attention in this ongoing quest. The essay takes a close look at a recently developed artistic en

Liability

令人悲傷

Dancing and Thinking Politics with Deleuze and Rancière: Performing Hesitant Gestures of the Unknownor to be moved in this sense implies an urge towards creative thinking instead of mere cognitive recognition. This chapter reads Deleuze’s lines as an invitation to think his philosophy in relation to the art of dancing, to investigate how the aesthetic of intensities at work in contemporary dance p