Titlebook: Choreography and Corporeality; Relay in Motion Thomas F. DeFrantz,Philipa Rothfield Book 2016 The Editor(s) (if applicable) and The Author(

愚蠢人

Roland Eckert,Helmut Willems,Stefanie Würtzhis sense, about embodying interaction. This chapter is focused on analysing the experiences of dancing recreational Argentinean tango and elite sports dance, respectively. The aim is to specifically explore how these cases of dancing together might expand and possibly challenge phenomenological des

不要不誠實

Renate M?ller,Wilhelm Heitmeyerions. This leads to a growing interest in cultural resource that would bring in locally, regionally, or even nationally specific artifacts. In the European context, Africa seems to have received special attention in this ongoing quest. The essay takes a close look at a recently developed artistic en

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https://doi.org/10.1007/978-3-322-94201-2ce certain difficult social phenomena constellate and become shared at an affective bodily level. Investigating the kinds of identifications and experiences activated by dance performance, this chapter considers how negative affect and failure may be critically productive in dance practice and in th

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Wolfgang Kowalsky,Wolfgang Schroederor to be moved in this sense implies an urge towards creative thinking instead of mere cognitive recognition. This chapter reads Deleuze’s lines as an invitation to think his philosophy in relation to the art of dancing, to investigate how the aesthetic of intensities at work in contemporary dance p

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Relay: Choreography and Corporeality,elay shakes up the notion of theory and practice, opening up both terms to a sense of an encounter between bodies. This may be fleshed out in terms of an encounter between the reader and the text; between the audience and a dance work, and between dance works and practices found in multiple location