Titlebook: Choreographing Intersubjectivity in Performance Art; Victoria Wynne-Jones Book 2021 The Editor(s) (if applicable) and The Author(s) 2021 C

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Book 2021volves through places, spaces, performance and spectatorship. Drawing upon international examples, the book introduces readers to performance art from the South Pacific and the complexities of de-colonising choreography. Artists Tino Sehgal, Xavier Le Roy, Jordan Wolfson, Alicia Frankovich and Shigeyuki Kihara are discussed..

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Xavier Le Roy and the Male Subject as Performance Artist,ection. Wynne-Jones argues that LeRoy uses various techniques to contest the restrictions and disciplinary power of the museum. Ideas taken from Amelia Jones and Sara Ahmed are used to argue that such spaces and artistic attitudes are gendered and rooted in a history that is deeply masculine.

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Human, Non-human and Post-human Moving Together: Tino Sehgal and Alicia Frankovich,ovich allows for a range of encounters to be examined including one-on-one, small groupings, multitudes and even swarms of people. Wynne-Jones argues that a range of de-familiarising techniques used by artists tie into Rosi Braidotti’s theory of post-humanism and its critical stance towards the authority of the contemporary art museum.

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https://doi.org/10.1007/978-3-642-97817-3de-linking shame from subjects. “Articulating alternatives: queer choreographies” concludes with a discussion of smith’s performances as they use attuning and costume to explore ideas of transitioning, transformation and queer failure as theorised by Judith Halberstam.

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