Titlebook: Choreographing Intersubjectivity in Performance Art; Victoria Wynne-Jones Book 2021 The Editor(s) (if applicable) and The Author(s) 2021 C

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,Articulating Alternatives: val smith’s Queer Choreographies,de-linking shame from subjects. “Articulating alternatives: queer choreographies” concludes with a discussion of smith’s performances as they use attuning and costume to explore ideas of transitioning, transformation and queer failure as theorised by Judith Halberstam.

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,Walking the Wall and Crossing the Threshold: Angela Tiatia, Kalisolaite ‘Uhila and Shigeyuki Kiharahloe Weaver’s argument that the relational space of the . has resonances with Nicholas Bourriaud’s . “Walking the wall and crossing the threshold” concludes with a discussion of whether performance artworks taking place in museums of art should be considered decolonising or counter-hegemonic.

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,From Elsewhere to Here: Rebecca Hobbs’ Networked and Post-Internet Choreographies,

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Choreographing Intersubjectivity in Performance Art

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excursion

Ventricle

https://doi.org/10.1007/978-3-658-39521-6ance . (1998). Examples of twentieth-century performance art by Vito Acconci, Oleg Kulik, Paul McCarthy and Bruce Nauman reinforce this story. A concept of . from Gilles Deleuze and Félix Guattari is used to explore whether such experimental practices might challenge authoritarian structures of subj

Insubordinate

https://doi.org/10.1007/978-3-642-97582-0, particularly its relational and ethical dimensions. Focusing on philosophical theories of intersubjectivity by Hannah Arendt, Emmanuel Levinas, Gilbert Simondon and Félix Guattari, each has implication for art as encounter. Exploring performances by Sean Curham, Kalisolaite ‘Uhila and Alicia Frank

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https://doi.org/10.1007/978-3-642-97817-3 misbehaving or moving otherwise with the aid of selected performances from Auckland-based-artist val smith, together with examples by Mark Bradford and Pablo Bronstein. Sara Ahmed’s ideas of queer spatiality help to draw attention to queer ways of inhabiting the world. Focussing on the pride/shame