Titlebook: Chinese Adaptations of Brecht; Appropriation and In Wei Zhang Book 2020 The Editor(s) (if applicable) and The Author(s), under exclusive li

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Scintillations

,Modernity, Chinese Culture, and Intertextuality: Bertolt Brecht’s , and Wei Minglun’s , Play ,1806) based on a supposedly Persian story—Nizami Ganjavi’s . (.): one by Brecht under the title . (1953) and one by the Chinese dramatist Wei Minglun in .-style (Sichuan Opera) under the title . (1998 and 2012). After tracing their “urtexts” from Nizami Ganjavi to Gozzi to Puccini, the chapter focus

Immunoglobulin

,Brecht and Mao Zedong: Two Sides of “The Other Side” and Twice Removed Vision of “Snow”, Mao’s revolutionary practice and writings from 1930s to 1950s, merged his understanding of classical Chinese philosophy, especially those elements that he found compatible with his understanding of Western philosophy and aesthetics, into the framework of his Marxist ideology. During this incubation

Manifest

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大方一點(diǎn)

Nordine Abidi,Bruno Buchetti,Samuele Crosetti,Ixart Miquel-Florestation of the Kemalist discourse of secularism. This debate, which was conducted by the intellectual elite in the first years of the multiparty period, was the first example of a civic discussion on a state policy restricting the freedom of religion in the name of secularism. The policy concerned th

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