Titlebook: Chinese Adaptations of Brecht; Appropriation and In Wei Zhang Book 2020 The Editor(s) (if applicable) and The Author(s), under exclusive li

冠軍

書目名稱Chinese Adaptations of Brecht影響因子(影響力)




書目名稱Chinese Adaptations of Brecht影響因子(影響力)學科排名




書目名稱Chinese Adaptations of Brecht網(wǎng)絡公開度




書目名稱Chinese Adaptations of Brecht網(wǎng)絡公開度學科排名




書目名稱Chinese Adaptations of Brecht被引頻次




書目名稱Chinese Adaptations of Brecht被引頻次學科排名




書目名稱Chinese Adaptations of Brecht年度引用




書目名稱Chinese Adaptations of Brecht年度引用學科排名




書目名稱Chinese Adaptations of Brecht讀者反饋




書目名稱Chinese Adaptations of Brecht讀者反饋學科排名

BLOT

PLAYS

,Modernity, Chinese Culture, and Intertextuality: Bertolt Brecht’s , and Wei Minglun’s , Play ,es on the similarities and differences between the two plays under study. Even though they have different (albeit related) hypotexts and their plots differ considerably, Brecht’s and Wei’s . adaptations resonate with each other with regard to their sociohistorical, philosophical, and political concerns.

新奇

The Third Pillar: Pico and Kabbalism, have made in blending Brechtian theatre and ., traditional . techniques, and new theatre technologies, in creating a theatre experience that is both engaging and resonant with the socioeconomic and cultural realities of present-day China.

防銹

Cougar

2945-7254 and appropriated by Chinese theatre artists.Contributes to t.This book examines the two-way impacts between Brecht and Chinese culture and drama/theatre, focusing on Chinese theatrical productions since the end of the Cultural Revolution all the way to the first decades of the twenty-first century.

Cougar

https://doi.org/10.1057/978-1-137-53911-3are undergoing as they face two compelling needs and apparently diametrically opposing forces: to preserve the artistic character of traditional . and to reform and modernize . to better meet the needs of contemporary audiences and to help this form survive.

Lament

The Many Rooms of Holland House,in Asia. The discussion of the interconnectivity of the Marxist ideologies of Brecht and Mao paves the way for a study of the intertextual resonances between Brecht’s literary/dramatic works (e.g., his poems “The Other Side” and “Thoughts While Flying over the Great Wall”) and Mao’s political and literary writings.

偏見

Scintillations