Titlebook: Carnival Culture and the Soviet Modernist Novel; Craig Brandist Book 1996 Craig Brandist 1996 culture.novel.society

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Daniil Kharms, the Soviet Menippea and the ‘Medieval’ Grotesquethe German invasion of the country in 1941. His bizarre, hilarious and yet often incredibly cruel narratives from the 1930s and 1940s have in recent years aroused a great deal of interest both in Russia and abroad. English language translations have been published in Britain, Ireland and the United

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Bulgakov’s , and the Devil’s Carnivalulture within a contemporary framework was well established as the 1930s began. Kharms and Vaginov in particular explored the literary past, both Russian and West European, finding symbols and chronotopical forms which could work against the one-dimensional world of the official aesthetic. Kharms an

Induction

A Note on Vaginov: The Novel as a Compensatory Realmbut with a greater sense of foreboding. In 1928 Vaginov produced his best-known novel Koeлuнar necнb (.). prefaced with the words ‘my dream is finished’. This novel, which, as Anemone notes, traces ‘the gradual degradation of the author, his heroes and culture itself, was considered by Bakhtin to be

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2633-5964 , they need to be considered with reference to both the concrete forms of Russian and Soviet popular culture and the changing institutional framework of Soviet society in the 1920s and 1930s.978-1-349-25122-3978-1-349-25120-9Series ISSN 2633-5964 Series E-ISSN 2633-5972