Titlebook: Black Iconoclasm; Public Symbols, Raci Charles Athanasopoulos Book 2024 The Editor(s) (if applicable) and The Author(s), under exclusive li

instructive

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https://doi.org/10.1007/978-1-84882-872-8tual foundations. Oftentimes, it does both. This does not mean that we are helplessly caught in an endless cycle of iconoclasm leading to new icons. On the contrary, it necessitates a deciphering practice which can discern iconographic residues from Black radical excess.

集聚成團(tuán)

https://doi.org/10.1007/978-1-84882-872-8conoclasm which we can point to as neatly escaping the residues of racial icons. Such an analytical threshold of purity does Black radical thought and activism a disservice. It is about thinking multiple acts of Black iconoclasm and paying attention to how each has their own tempo and momentums just

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https://doi.org/10.1007/978-1-84882-872-8ck iconoclasm reflects a liminal orientation toward ritual transgression and discernment which performatively manifests differently according to context. This means thinking Black radical disruption as an active process that cannot be reduced to singular acts of negation or moments of realization th

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