Titlebook: Black Iconoclasm; Public Symbols, Raci Charles Athanasopoulos Book 2024 The Editor(s) (if applicable) and The Author(s), under exclusive li

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Epilogue: Twilight of the Icons, gaps, and fractures in the conceptual foundations of Western Man. These fractures are never pure; that they will not be recaptured by power is never guaranteed. In most cases, invention both produces radical possibilities for refusal at the same time it craves the reactive epistemological closure

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fixed-joint

Methane Conversion by Oxidative ProcessesM) evolution into the Black Lives Matter Global Network (BLMGN) by focusing on emerging critiques from the BLM10, Mass Action for Black Liberation (MABL), and BLM Grassroots. While many have offered wholesale rejections of BLM and/or uncritical celebrations which iconize BLMGN and its co-founders, a

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Demulcent

Zbigniew Kalenik,Eduardo E. Wolfemonstrating the operation of racial icons on the level of the interpersonal, political, and internal. The chapter also moves beyond Fanon by further engaging Hortense Spillers’ call for a new “psychoanalytic culture criticism” and digging into Fanon’s owns slippages in relation to his theorizing of

harbinger

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https://doi.org/10.1007/978-1-84882-872-8e way of engaging the relationship between icons and iconoclasm. This chapter reads the multiple iconographic residues and Black radical excess which manifest surrounding a Black Lives Matter (BLM)-graffiti-wall-turned-mural in downtown Pittsburgh, Pennsylvania. Thinking this BLM mural as a poetics

Lament

Amnesty

https://doi.org/10.1007/978-3-031-66924-8Black Studies; Race; Black Lives Matter; Fanon; Glissant; Nietzsche; Visual Culture

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978-3-031-66926-2The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl