Titlebook: Broadway and Corporate Capitalism; The Rise of the Prof Michael Schwartz Book 2009 Michael Schwartz 2009 drama.Romanticism.theatre

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The Growth of Broadway, the Emergence of the PMC,pposing superlatives is familiar by now: the wealthiest and the poorest, the classiest and the most vulgar, the highest and the lowest, all commingling within a few miles or even within a few blocks—even in 1900, it was practically a cliché.

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Broadway and Corporate Capitalism978-0-230-62332-3Series ISSN 2947-5767 Series E-ISSN 2947-5775

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https://doi.org/10.1007/978-3-662-08503-5ar Alfred Lunt his first starring role and gave a PMC hero another important job to do—stabilize his postwar community, and by implication, the larger American community. The author was Booth Tarkington, and the play—a comedy, in this case, not a farce—was called ..

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Conclusion: Business as Usual,ar Alfred Lunt his first starring role and gave a PMC hero another important job to do—stabilize his postwar community, and by implication, the larger American community. The author was Booth Tarkington, and the play—a comedy, in this case, not a farce—was called ..

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2947-5767 urce of ‘mature‘ American drama, and the simultaneous development of Professional-Managerial Class consciousness and habitus.978-1-349-38004-6978-0-230-62332-3Series ISSN 2947-5767 Series E-ISSN 2947-5775

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Book 2009Through an examination of plays, actors, reviews, and audience response of the period, this study traces the development of Broadway as a source of ‘mature‘ American drama, and the simultaneous development of Professional-Managerial Class consciousness and habitus.

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https://doi.org/10.1057/9780230623323drama; Romanticism; theatre

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Das Management von Markt- und Kreditrisiken, the seismic shifts of the world beyond the Great White Way. A few scholars, however, have shown some appreciation of the pre-1920 years of Broadway. Brenda Murphy, for example, acknowledges the period as one of transition—crucial years for establishing realistic principles in American drama (Murphy