Titlebook: British Television Animation 1997-2010; Drawing Comic Tradit Van Norris Book 2014 Palgrave Macmillan, a division of Macmillan Publishers Li

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Roland Mattmüller,Julia Elspa?,Julia Matheisut the nature of live-action mainstream broadcast comedy as it did animation. In retrospect, we can observe that this is not just an important animated show, but actually a key contemporary narrative. This was a text that reacted to very a specific media and cultural environment and it operated within a very particular aesthetic strategy.

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Lena Rothe,Julia Naskrent,J?rg Westphalshows functioned within a marketplace appreciably altered by deregulation which overtly courted the mainstream. Despite these texts’ supposedly challenging nature, these were narratives that were actually constructed with an eye towards accessibility and with an aim to achieve a more centralised position within network schedules.

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impsons broadcast landscape. Shows like Monkey Dust, Modern Toss and Stressed Eric not only reflected the times but they ushered in an era of ambition and belief in British adult animation.978-1-349-46122-6978-1-137-33094-9

Left-Atrium

Julia Naskrent,Jonas Vierschilling-quantified aspect of UK TV animation. This is a necessary book that explores an evolution of British television mainstream animation and an intersection that took place within a contemporary UK TV scheduling culture. For as the 20th century moved into the 21st, a range of comic animations emerged o

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landmark

Julia Naskrent,Jonas Vierschillinganimation becomes more self-conscious, more explicitly fixated on inter- and extra-textual modes within narratives and embraces a permeable, detached sense of distance and irony. When these factors are measured against the abandonment of social and cultural progression that underpinned the previous

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