Titlebook: British Television Animation 1997-2010; Drawing Comic Tradit Van Norris Book 2014 Palgrave Macmillan, a division of Macmillan Publishers Li

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,‘C’mon Mum, Monday Night Is Jihad Night’ — Race and Nostalgia,show that embodied the ideological shifts within the BBC, it was also a text that provided an explicit commentary on post-millennial Britain in the wake of New Labour’s reshaping of the UK socio-political landscape. . replayed traditional televisual comic structures to organise a critique of social, political and cultural consensus.

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,‘Unpack That …’ — Animating the Male,ut the nature of live-action mainstream broadcast comedy as it did animation. In retrospect, we can observe that this is not just an important animated show, but actually a key contemporary narrative. This was a text that reacted to very a specific media and cultural environment and it operated within a very particular aesthetic strategy.

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,Sacred Territory — Faith, Satire and the Third Wave,shows functioned within a marketplace appreciably altered by deregulation which overtly courted the mainstream. Despite these texts’ supposedly challenging nature, these were narratives that were actually constructed with an eye towards accessibility and with an aim to achieve a more centralised position within network schedules.

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impsons broadcast landscape. Shows like Monkey Dust, Modern Toss and Stressed Eric not only reflected the times but they ushered in an era of ambition and belief in British adult animation.978-1-349-46122-6978-1-137-33094-9

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Julia Naskrent,Jonas Vierschillingion that took place within a contemporary UK TV scheduling culture. For as the 20th century moved into the 21st, a range of comic animations emerged on network television that, in retrospect, embodied the unique creative, cultural, political and industrial circumstances of that time.

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Nina Golowko,Christian Gro?,Holger Steinods of production and will define what typifies each of these eras. Here we will discuss three definite movements as part of a historical framework detailing the evolution of UK TV animation and we will outline the sharp distinctions between different periods in order to establish what it is I mean by Third Wave Animation.

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Introduction,ion that took place within a contemporary UK TV scheduling culture. For as the 20th century moved into the 21st, a range of comic animations emerged on network television that, in retrospect, embodied the unique creative, cultural, political and industrial circumstances of that time.

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