Titlebook: British Poetry, 1900-50; Aspects of Tradition Gary Day (Lecturer in English Literature),Brian Do Book 1995 Palgrave Macmillan, a division o

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https://doi.org/10.1007/978-3-322-81358-9ike Roland Penrose and Ithell Colquhoun, who also wrote and published surrealist texts.. The exhibition was followed by a volume of essays edited by Herbert Read, and entitled simply .. Intended to consolidate the work of introducing and establishing surrealism in Britain, the volume contained essay

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Hugh MacDiarmid: Lenin and the British Literary Left in the 1930s,arly and argumentative books and articles on various literary aspects of the period, the great majority of which still interpret events largely through what I will argue is the limiting and over-prescriptive perspective of ‘the Auden generation’.

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The Falling House that Never Falls: Rupert Brooke and Literary Taste,is poetic ability becomes, as has rarely been the case with any but Dylan Thomas, subordinated to a quasi-biographical determinism in which the poetry itself plays little part. It is ironic yet it can be said that the value of Brooke’s reputation is independent of the very work he did to secure that reputation.

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https://doi.org/10.1007/978-3-8349-8047-2is poetic ability becomes, as has rarely been the case with any but Dylan Thomas, subordinated to a quasi-biographical determinism in which the poetry itself plays little part. It is ironic yet it can be said that the value of Brooke’s reputation is independent of the very work he did to secure that reputation.