Titlebook: British Poetry, 1900-50; Aspects of Tradition Gary Day (Lecturer in English Literature),Brian Do Book 1995 Palgrave Macmillan, a division o

魔鬼在游行

misanthrope

Ruined Boys: W. H. Auden in the 1930s,Ruin was fashionable in the 1930s. Cyril Connolly’s ‘Theory of Permanent Adolescence’, set out in Enemies of Promise in 1938, gave it a rationale which has become part of the mythology of the ‘Auden generation’:

危機

,Edwin Muir: Reading Eternity’s Secret Script,Remain seated as little as possible; trust no thought that is not born in the open, to theaccompaniment offree bodily motion — nor one in which your very muscles do not celebrate a feast. All prejudices maybe traced back to the intestines. A sedentary life … is the real sin against the Holy Ghost.

文藝

reserve

https://doi.org/10.1007/978-3-8349-8047-2usly drinking small-beer in a desperate attempt toprove their virility. The winds blew, thefloods came: fora moment afew of them showed on the crest of the seventh great wave; then they were rolled under and nothing marks their graue.

MOTIF

https://doi.org/10.1007/978-3-8349-8047-2roadcast by BBC Radio 4 or, perhaps, the comments in the introduction to yet another anthology of the slim collected works (with a selection of letters added for good measure). Brooke’s reputation, which is at stake here, has never rested on anything other than quicksand. The ‘worth’ or quality of h

MITE

緯度

https://doi.org/10.1007/978-3-8349-8047-2s to be underestimated, probably because of a stereotyped idea of the Imagist poem as something small, static and precious. If, however, we think not of set-pieces like ‘In the Station of the Metro’ but of what Imagism made possible, of what the major Imagists went on to do, Lawrence’s association w

Lime石灰

放肆的我