Titlebook: Bright Modernity; Color, Commerce, and Regina Lee Blaszczyk,Uwe Spiekermann Book 2017 The Editor(s) (if applicable) and The Author(s) 2017

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書目名稱Bright Modernity影響因子(影響力)




書目名稱Bright Modernity影響因子(影響力)學(xué)科排名




書目名稱Bright Modernity網(wǎng)絡(luò)公開度




書目名稱Bright Modernity網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱Bright Modernity被引頻次




書目名稱Bright Modernity被引頻次學(xué)科排名




書目名稱Bright Modernity年度引用




書目名稱Bright Modernity年度引用學(xué)科排名




書目名稱Bright Modernity讀者反饋




書目名稱Bright Modernity讀者反饋學(xué)科排名

極力證明

Bright Modernity: Color, Commerce, and Consumer Culture,e chapter concludes by considering the darker side of “bright modernity,” namely, the contribution of new chemically produced colors to environmental pollution and food poisoning in the second half of the nineteenth century.

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Learning to See with Milton Bradleyratives of the emerging world of consumerism. Gaskill argues that Bradley’s example shows how the introduction of color as a topic of childhood education was inseparable from the proliferation of mass-produced colored goods at the end of the nineteenth century.

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New Words and Fanciful Names: Dyes, Color, and Fashion in the Mid-Nineteenth Centurycreasing availability of branded dye products for domestic and commercial markets in the mid-nineteenth century. Nicklas argues that both the language of fashionable color and the variety of new dye products linked male colorists and female fashion consumers.

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神化怪物

Modeurop: Using Color to Unify the European Shoe and Leather Industrydecades. It created a base for decision-making and information-sharing that was reliable and influential. Modeurop proved that color was not only a concern of individual companies. It could also become a strong tool within an industry, if it was handled by a well-organized group.

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