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Titlebook: Beyond Media Borders, Volume 2; Intermedial Relation Lars Ellestr?m Book‘‘‘‘‘‘‘‘ 2021 The Editor(s) (if applicable) and The Author(s) 2021

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31#
發(fā)表于 2025-3-27 00:40:39 | 只看該作者
Julia Gillen,Catherine Ann Cameroning texts, maps, and virtual reality to show how they express spatial conceptions. Such a comparison is necessary to understand the mechanisms behind combinations and transformations among different media; hence, it forms a useful basis for analysing media interacting with spaces more generally. Tak
32#
發(fā)表于 2025-3-27 01:25:35 | 只看該作者
33#
發(fā)表于 2025-3-27 06:02:03 | 只看該作者
34#
發(fā)表于 2025-3-27 13:31:03 | 只看該作者
35#
發(fā)表于 2025-3-27 15:37:38 | 只看該作者
36#
發(fā)表于 2025-3-27 20:35:39 | 只看該作者
Media Representation and Transmediation: Indexicality in Journalism Comics and Biography Comicslude media representations of different qualified media types (journalistic report, biography, and autobiography) and of specific media products (such as familiar images of people and places). The article starts with a short history of comics. It then offers a theoretical discussion of intermedialit
37#
發(fā)表于 2025-3-28 00:02:24 | 只看該作者
Towards an Intermedial Ecocriticism public, industries, and policymakers. Such communication takes place via a wide array of different media types, from arts and literature to journalism and politics—media types that are, broadly speaking, the objects of environmental humanities. The problem is that it is very difficult to analyse, d
38#
發(fā)表于 2025-3-28 03:01:40 | 只看該作者
Metalepsis in Different Media the chapter is to analyse the transmediality of metalepsis; that is, its potential to be employed in various media. Based on a number of different specific media products (from the media types of literature and film), the author analyses closely how metalepsis can depend on the modalities of differ
39#
發(fā)表于 2025-3-28 09:08:57 | 只看該作者
Seeing the Landscape Through Textual and Graphical Media Productsing texts, maps, and virtual reality to show how they express spatial conceptions. Such a comparison is necessary to understand the mechanisms behind combinations and transformations among different media; hence, it forms a useful basis for analysing media interacting with spaces more generally. Tak
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