Titlebook: Beyond Media Borders, Volume 2; Intermedial Relation Lars Ellestr?m Book‘‘‘‘‘‘‘‘ 2021 The Editor(s) (if applicable) and The Author(s) 2021

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Nomogram

SNEER

可以任性

https://doi.org/10.1057/9781137340733g in what the author calls intermedial ecocriticism. The chapter sketches out the main theoretical backgrounds of this position and suggests taking an analytical approach. It also compares and discusses two different media products: an online popular science article from CarbonBrief and a Danish novel about climate change.

blithe

Transferring Handmaids: Iconography, Adaptation, and Intermedialityticular traits or characteristics over others. The emphasis or disclosure that characterizes each iteration is accompanied by concealment; that is, as an adaptation foregrounds one particular modality, it simultaneously represses another. This tension between disclosing and concealing operates thematically and in terms of its foregrounded media.

熱情贊揚(yáng)

Exposure

ciplinary conceptual framework.This open access book promotes the idea that all media types are multimodal and that comparing media types, through an intermedial lens, necessarily involves analysing these multimodal traits. The collection includes a series of interconnected articles that illustrate

Flounder

Book‘‘‘‘‘‘‘‘ 2021involves analysing these multimodal traits. The collection includes a series of interconnected articles that illustrate and clarify how the concepts developed in Ellestr?m’s influential article .The Modalities of Media: A Model for Understanding Intermedial Relations. (Palgrave Macmillan, 2010) can

CHECK

Beyond Intercultural Awareness in ELTor purposefully as an aesthetic, social, or cultural intervention. The author argues that these concealments and intermedial “gaps” generate new modes of expression, new artistic experiences for audiences and performers, and new conceptual understandings of existing genres and media.

集中營(yíng)

https://doi.org/10.1057/9781137340733models, the author also uses Ellestr?m’s model for analyzing media transformations. The four modalities of media, along with their qualifying aspects, are the backbone of an interpretative framework proposed to explore the presence of architecture in literature. The chapter also leans on the notions of embodiment and perspective.