Titlebook: Berryman and Lowell; The Art of Losing Stephen Matterson Book 1988 Stephen John Matterson 1988 literature.poetics.poetry

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https://doi.org/10.1007/978-3-658-25544-2y Eliot, Pound and Yeats. Since these central figures of modernist poetry exerted so tremendous an influence on successive poets, it seemed inevitable that those seeking a style in the 1930s and 1940s would learn from modernism, writing in the styles that the modernists made familiar.

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Introduction: Tumbles and Leaps,y Eliot, Pound and Yeats. Since these central figures of modernist poetry exerted so tremendous an influence on successive poets, it seemed inevitable that those seeking a style in the 1930s and 1940s would learn from modernism, writing in the styles that the modernists made familiar.

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Beginning in Wisdom,Berryman for growth of talent. The reception given to . was as great as that which had been given to Schwartz’s .. However, by 1944 such acclaim was beginning to turn against Schwartz. From the first Lowell seemed greater than the other poets of his generation; . showed major talent that had the pot

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Towards a Rhetoric of Destitution,ted work from his preceding books and also included recent work appearing for the first time in book form. Like . seems to look backwards as well as forward. Several elements of Berryman’s later poetry are introduced in this book — notably, in ‘The Ball Poem’ and ‘The Nervous Songs’.

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