Titlebook: Berryman and Lowell; The Art of Losing Stephen Matterson Book 1988 Stephen John Matterson 1988 literature.poetics.poetry

誘騙

呼吸

https://doi.org/10.1007/978-3-658-32395-0ted work from his preceding books and also included recent work appearing for the first time in book form. Like . seems to look backwards as well as forward. Several elements of Berryman’s later poetry are introduced in this book — notably, in ‘The Ball Poem’ and ‘The Nervous Songs’.

Cytokines

Inklusive Berufliche Orientierungnd Lowell contribute greatly to the need for such an exploration. In both works a fresh poetic emerges. In this chapter I shall examine the individual nature of Lowell’s poetics and the implications this has for an understanding of his work.

Medicare

Introduction: Tumbles and Leaps, Even in the generation which included poets such as Elizabeth Bishop, Delmore Schwartz, Randall Jarrell and Theodore Roethke, Lowell and Berryman were outstanding. Although they never collaborated, their achievement was, in many respects, a joint one. Their generation grew up poetically dominated b

linguistics

Beginning in Wisdom,s poems were reprinted in his first book-length collection, . (1942). Lowell too reprinted most of his first book, . (1944), in his second, . (1946). As one begins to compare the early poetry of Berryman and Lowell a major difficulty arises. . is an immense achievement. It was widely reviewed, recei

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PRO

率直

FEIGN

Defeats and Dreams,ry is in these books: Jarrell’s . (1965), Roethke’s . (1964), and Bishop’s . (1976). There can be no doubt that these books confirm the high reputation of the authors, and are entirely consistent with their overall achievement. True, Jarrell’s poems in . are more overtly personal than much of his pr

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