Titlebook: Beastly Blake; Helen P. Bruder,Tristanne Connolly Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 Animals.Poetry.Romanticis

Instinctive

尊嚴

Hypomania

,Blake’s ‘Horses of Instruction’,five senses, and selfhood. Hence, at .’s conclusion, in a finale powered by horses, Blake depicts equine instruction and genius as helping liberate a pan-animal ‘Human Form Divine’, within a co-operative merging of shared being.

AMITY

,Apocalyptic Visions, Heroism, and Intersections of the Human and ‘the Not Human’ in Blake’s ,remains a vision, provides a reconceptualisation of heroism, producing an epic in which fundamental change relies on a multiplicity of subjectivities, never to be got at but always poised in multiple lines of flight, thus keeping limitless potentialities in play indefinitely.

inveigh

,Bestial Metamorphoses: Blake’s Variations on Transhuman Change in Dante’s Hell,ve misreadings of classical artistic forms in medieval culture, drives the analysis of Blake’s bestial metamorphoses as an experiment in the possibilities and limits of form through a series of transgressions of boundaries between languages, genres, and media.

完整

責難

Holger Luczak,Marie-Christine Stemannes that Blake’s engravings and their placement within the text destabilised Hayley’s use of the ballad commission as a vehicle for patronage. Rather, the ballad commission provided Blake with an opportunity to articulate pictorially his frustration with the two dominant forms of patronage of the period: the private patron and the marketplace.