Titlebook: Beastly Blake; Helen P. Bruder,Tristanne Connolly Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 Animals.Poetry.Romanticis

Herbaceous

書目名稱Beastly Blake影響因子(影響力)




書目名稱Beastly Blake影響因子(影響力)學(xué)科排名




書目名稱Beastly Blake網(wǎng)絡(luò)公開度




書目名稱Beastly Blake網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱Beastly Blake被引頻次




書目名稱Beastly Blake被引頻次學(xué)科排名




書目名稱Beastly Blake年度引用




書目名稱Beastly Blake年度引用學(xué)科排名




書目名稱Beastly Blake讀者反饋




書目名稱Beastly Blake讀者反饋學(xué)科排名

大罵

秘方藥

https://doi.org/10.1007/978-3-322-87093-3nacts an inclusive and anti-speciesist dynamic but encourages activism. Milne surveys critical responses that link Blake’s artistry to an anti-cruelty politics and reads ‘Auguries’ alongside animal representations by Anna Laetitia Barbauld, Sarah Trimmer, Helen Maria Williams, and John Thelwall. Mil

疏遠(yuǎn)天際

Human Resource Management im Umbruchpower as a performance embodied in the fable, the chapter argues that Blake’s Lyca poems embody the parasitical potential of the fable and subversively stage the performativity of violent political power. It closely reads the tension within these poems between their beastly figures: the lion and the

Albumin

Leadership in an Age of Layoffsari’s concepts of becoming-animal, the rhizome, deterritorialisation, as well as lines of flight, and valorises border crossings and the in-between. These intersections occur in the becomings of humans and nonhumans when engaged in self-annihilation and inspiration (the repeated main actions of the

灰心喪氣

Leadership in an Age of Layoffs, arguing that it is structured around a trance or Altered Consciousness State (ACS) figured in the poem as Blake’s collapse in his Felpham garden. Similar trances, accompanied by experiences of entoptic imagery, are widely pictured in the rock shelter paintings of /Xam (San) hunter-gatherer bush pe

collateral

Pessary

Uschi Backes-Gellner,Stephan Veenore Blake’s appropriation of the sheep from other art-historical sources. Particularly focusing on Blake’s pastoral imagery (primarily, Blake’s illustrations to Virgil), the chapter culminates in a discussion of the sheep’s symbolic value in the context of Blake’s underlying philosophy of innocence

groggy

Holger Luczak,Marie-Christine Stemannlephants, eagles, lions and crocodiles that concomitantly draw on and subvert contemporary Eurocentric graphic representations of animals. Crosby argues that Blake’s engravings and their placement within the text destabilised Hayley’s use of the ballad commission as a vehicle for patronage. Rather,

parsimony

How Students Manage Human Resourcesthe plate in John Varley’s .. Moving beyond the familiar narratives about Blake’s collaboration with Varley and the nightly séances at his house, the chapter revisits the debate about Blake’s renewed interest in physiognomy by aligning the images with Lavater’s .. As well as exploring the reception