Titlebook: Baroque, Venice, Theatre, Philosophy; Will Daddario Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 Jesuit theatre.Baroque

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Baroque, Venice, Theatre, Philosophy978-3-319-49523-1Series ISSN 2947-5589 Series E-ISSN 2057-7176

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2947-5589 of social practices. Such a rethinking of the baroque aims to complement the already lively studies of neo-baroque aesthetics and ethics emerging in contemporary scholarship on (for example) Latin American political art..978-3-319-84179-3978-3-319-49523-1Series ISSN 2947-5589 Series E-ISSN 2057-7176

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Biomaterials: Facts and Fictionl the path toward forgiveness and eternal life. From the perspective of the Venetian Jesuits, these two identities coexist within the body of one shepherd, Father Pietro Leon da Valcamonica, whose villainous actions, framed through a particular philosophy of love and forgiveness, transfigure him into a martyr.

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Biomaterials: Facts and Fictionript of Ignatius Loyola’s .. After reading both of these works closely, the chapter situates this Jesuit theatricality within the tradition of Medieval Scholastic philosophy and culminates with a discussion of Adorno’s principle of non-identity, which helps to understand the individual effects of “virtuous acting.”

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Book 2017epistemology in order to forward and argument for understanding the baroque as a gathering of social practices. Such a rethinking of the baroque aims to complement the already lively studies of neo-baroque aesthetics and ethics emerging in contemporary scholarship on (for example) Latin American political art..

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2947-5589 ubject, opening up the topic‘s analysis and interpretation tThis book theorizes the baroque as neither a time period nor an artistic style but as a collection of bodily practices developed from clashes between governmental discipline and artistic excess, moving between the dramaturgy of Jesuit spiri