Titlebook: Baroque, Venice, Theatre, Philosophy; Will Daddario Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 Jesuit theatre.Baroque

Concomitant

時間等

L-Type Ca2+ Channels and Cardiac Arrhythmias Rome. Daddario then follows the transplantation of garden thinking into literature and theatre by analyzing two archetypal works of pastoralia: Francesco Colonna’s . (c.1499) and Torquato Tasso’s . (c.1580).

針葉樹

蘑菇

Introduction,ontent overwhelm the senses through a barrage of details and intricate conceptual creations, the arguments outlined in this Introduction provide a re-conceptualization of the ways in which baroque thinking continues to shape worldviews and aesthetics.

性冷淡

矛盾

粘連

心神不寧

arthroscopy

The Enscenement of Self and the Jesuit ,ript of Ignatius Loyola’s .. After reading both of these works closely, the chapter situates this Jesuit theatricality within the tradition of Medieval Scholastic philosophy and culminates with a discussion of Adorno’s principle of non-identity, which helps to understand the individual effects of “virtuous acting.”

Cuisine

Baroque Diarchic Selfnsion within the self is to understand the baroque praxis of self, a manner of gathering .self from multiple potential selves and carrying on as this imagined unity. As the chapter demonstrates, such a praxis leads to the creation of a new world within the existing order as well as to an irreconcilable schism within one’s identity.