Titlebook: Australian Film Festivals; Audience, Place, and Kirsten Stevens Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 film festiva

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https://doi.org/10.1007/978-3-531-93132-6 festival experience in new forms and points to the changes now occurring, particularly in relation to the growth of digital technology, which clearly speaks of a new phase in film festival evolution that stands just around the temporal corner.

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COWER

2946-3734 and market foci of their international fellows. Drawing on over sixty-years of archival records, festival commentary, interviews with festival insiders and ephemera, this book opens up a largely uncharted history of film culture activity in Australia..978-1-137-58130-3Series ISSN 2946-3734 Series E-ISSN 2946-3742

ALB

Introduction,lishes the importance that audiences, place, and cultures of film exhibition have had on the development of film festivals in Australia, their unique position in the international film festival circuit, as well as their relationship to the development of cinema appreciation and specialist exhibition in the country over the past 60 and more years.

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Conclusion, festival experience in new forms and points to the changes now occurring, particularly in relation to the growth of digital technology, which clearly speaks of a new phase in film festival evolution that stands just around the temporal corner.

CHAR

Book 2016tralia. Tracing the birth of film festivals in Australia in the 1950s through to their present abundance, it asks why film festivals have prospered as audience-driven spectacles throughout Australia, while never developing the same industry and market foci of their international fellows. Drawing on

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