Titlebook: Australian Film Festivals; Audience, Place, and Kirsten Stevens Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 film festiva

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Georg Simmel und die aktuelle StadtforschungIt focuses attention on the specific importance of place in determining not only what types of festivals operate within a given cultural space, but also which ones will achieve permanence and ongoing relevance within both regional and global contexts.

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https://doi.org/10.1007/978-3-531-93132-6. The chapter explores how the privileged position of festivals as cultural events not only determines their place within local environments, but further constructs their audience and the ways in which they are understood.

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Growth and Change: Curator-Led Festivals, Fragmenting Audiences, and Shifting Film Exhibition Cultue relationships between the newly emerging film festivals and film culture activities, as well as between Australia’s festivals and the international festival regulator FIAPF, the chapter highlights the unique qualities of Australia’s developing film festival movement.

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Between Success and Failure: Crisis and Recovery at the Melbourne International Film Festival,It focuses attention on the specific importance of place in determining not only what types of festivals operate within a given cultural space, but also which ones will achieve permanence and ongoing relevance within both regional and global contexts.

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Programming Perceptions: Film Festivals and the Construction of Taste,. The chapter explores how the privileged position of festivals as cultural events not only determines their place within local environments, but further constructs their audience and the ways in which they are understood.

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Book 2016 audience-driven spectacles throughout Australia, while never developing the same industry and market foci of their international fellows. Drawing on over sixty-years of archival records, festival commentary, interviews with festival insiders and ephemera, this book opens up a largely uncharted history of film culture activity in Australia..

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https://doi.org/10.1007/978-3-658-05730-5ival development were a uniquely European phenomenon, arguing instead that Australia’s engagement with the format suggests that festivals were a global response to the spread of cinephilia and the growing hegemony of Hollywood in the post-Second World War period.

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