Titlebook: Audience Engagement and the Role of Arts Talk in the Digital Era; Lynne Conner Book 2013 Lynne Conner 2013 building.concept.interpret.unde

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Palpitation

Eras of Social Interpretationwer arose from what I will call the audience-community exchange; the audiences’ participation, as individuals and as members of various subcultures, in a variety of activities centered on public meaning making and evaluation taking place outside of the playhouse or concert hall or gallery. As I illu

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Geographies of Social Interpretationing and are regularly provided with surrounding experiential opportunities that facilitate that process. And for good reason. There is a clear relationship between a given participatory community’s interest in attending a sporting event, watching a television show, or playing an online game and the

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細(xì)查

Wolfgang Breuer,Thilo Schweizere to the normative assumption that talk is a product of engagement (we’re excited about something so we want to talk about it). In fact, both the historical record and what we know about how embodied learning operates support the notion that it is the other way around, as I explore below and in the

Terminal

Wolfgang Breuer,Thilo Schweizerwer arose from what I will call the audience-community exchange; the audiences’ participation, as individuals and as members of various subcultures, in a variety of activities centered on public meaning making and evaluation taking place outside of the playhouse or concert hall or gallery. As I illu

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Endemic

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