Titlebook: Arts and Technology; Third International Giorgio Michelis,Francesco Tisato,Diego Bernini Conference proceedings 2013 ICST Institute for Co

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書(shū)目名稱Arts and Technology影響因子(影響力)




書(shū)目名稱Arts and Technology影響因子(影響力)學(xué)科排名




書(shū)目名稱Arts and Technology網(wǎng)絡(luò)公開(kāi)度




書(shū)目名稱Arts and Technology網(wǎng)絡(luò)公開(kāi)度學(xué)科排名




書(shū)目名稱Arts and Technology被引頻次




書(shū)目名稱Arts and Technology被引頻次學(xué)科排名




書(shū)目名稱Arts and Technology年度引用




書(shū)目名稱Arts and Technology年度引用學(xué)科排名




書(shū)目名稱Arts and Technology讀者反饋




書(shū)目名稱Arts and Technology讀者反饋學(xué)科排名

MITE

Exhibiting Poetry in Public Places Using a Network of Scattered QR Codesunaccustomed to. We thus came up with codepoetry, a poetry game in the city. A large number of QR barcodes, spray painted on walls around central Athens using a large metallic stencil, tempt passers-by into scanning them using a smartphone in order to reveal a random poem from a curated online colle

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同位素

How to Outreach the External World from a Museum: The Case of the Marsili’s Spirit Appn be connected and attracted by a given institution. Hence, a successful communication strategy includes outreach activities, which very often involve the use of digital technologies. In fact, digital literacy is progressively increasing and, hence, providing a universal language that can be utilize

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帶傷害

savage

Assistive Synchronised Music Improvisationory workshops with a group of adult learners with mobility issues, a pattern based musical-model is defined. Employing a synchronised pattern-based approach to music generation a prototype ‘instrument’ has been realised that brings together key assistive and musical features that were identified as

繁榮地區(qū)

Neuroaesthetic Resonanceia movement alone is catalyst of the work where motivated fun through ludic engagement is core. Innovation of apparatus and methods in non-formal rehabilitation via matching digital media plasticity to human performance plasticity are foci. System adaptions according to abilities offer a generic sol

Agronomy

Digital-Foley and Live Performancepulation and physical computing. A variety of approaches to electronic sound-production and control are described along with first-hand reflections on the expressivity and control that are offered by each within a context of live drama. In redefining digital-Foley, design considerations are outlined

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