Titlebook: Angela Carter; Linden Peach Textbook 1998Latest edition Macmillan Publishers Limited 1998 America.bibliography.critique.dance.death.Englis

記憶

Illegitimate Power, Carnival and Theatre,Merja Makinen (1992) has drawn a distinction between ‘the disquietingly savage analyses of patriarchy’ in the novels of the 1960s and 1970s — . and . — and the ‘exuberant’ last two novels, . and .:

Ballad

Postscript,I have deliberately avoided writing a ‘conclusion’ to this critical study. A ‘Postscript’ seemed more appropriate because the book is not intended as a final word on Carter’s work, as if there ever could be, and because I do not believe that Carter herself approved of conclusions.

Introvert

經(jīng)典

Pain and Exclusion,, they recall the Bristol trilogy. For example, Lorna Sage (1994b) has pointed out that . mocks the cultural landscape of the 1960s such as the glamour of underground, countercultural movements; the siege of university campuses; the rebirth of dandyism; and the power acquired by intellectual gurus s

壯麗的去

The Last Days,re important differences between them. As Elaine Jordan (1990) points out: . draws on ‘pornography, the Gothic, fairy tales, horror films, boy’s imperial adventure stories, anthropological idylls according to Rousseau or Levi-Strauss, and the fantasies of philosophy, the world as Will and Idea’ (p.

Insulin

8樓

泥土謙卑

8樓

手段

8樓

強(qiáng)有力

8樓

Axillary

9樓