Titlebook: Angela Carter; Linden Peach Textbook 1998Latest edition Macmillan Publishers Limited 1998 America.bibliography.critique.dance.death.Englis

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書(shū)目名稱(chēng)Angela Carter影響因子(影響力)




書(shū)目名稱(chēng)Angela Carter影響因子(影響力)學(xué)科排名




書(shū)目名稱(chēng)Angela Carter網(wǎng)絡(luò)公開(kāi)度




書(shū)目名稱(chēng)Angela Carter網(wǎng)絡(luò)公開(kāi)度學(xué)科排名




書(shū)目名稱(chēng)Angela Carter被引頻次




書(shū)目名稱(chēng)Angela Carter被引頻次學(xué)科排名




書(shū)目名稱(chēng)Angela Carter年度引用




書(shū)目名稱(chēng)Angela Carter年度引用學(xué)科排名




書(shū)目名稱(chēng)Angela Carter讀者反饋




書(shū)目名稱(chēng)Angela Carter讀者反饋學(xué)科排名

大方一點(diǎn)

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Textbook 1998Latest editionglish realist novel and frequently drew on prenovelistic forms, Linden Peach maintains that she still addressed the ‘a(chǎn)ctuality‘ of people‘s lives. In novels crammed with themes, ideas and images, Carter is seen as blurring the boundaries between literature, philosophy and cultural critique.

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Giulia Wally Scurati,Marco Bertonicalled them Carter’s Bristol trilogy, a view supported by Lorna Sage (1994b, p. 22). Sage, however, is troubled by O’Day’s description of them as realist texts. Whilst, as O’Day argues, they do not possess the ‘magic realist’ qualities of Carter’s later fiction, she believes that they have ‘the extra density of fiction squared’ (p. 22).

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https://doi.org/10.1007/978-3-031-60082-1uch as Timothy Leary who is parodied in Donally (p. 18). However, they are different from the other novels written in the 1960s in ways which anticipate the later fiction. Indeed, both novels may be seen as transitional works, bridging the gap between the Bristol trilogy and the less realistic mode of the post-1970 novels.

爭(zhēng)議的蘋(píng)果

th study devoted to her novels, Linden Peach demonstrates how Carter‘s fiction has retained the power to shock us, move us and make us laugh. This lively book provides both close readings of individual texts and an overview of her work. Although Carter preferred a mode of writing closer to fantasy t

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Maria Spadafora,Mario Rapaccini,Shaun Westial adventure stories, anthropological idylls according to Rousseau or Levi-Strauss, and the fantasies of philosophy, the world as Will and Idea’ (p. 34). It also has some of the characteristics of the quest narrative.

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