Titlebook: Allegorical Form and Theory in Hildegard of Bingen’s Books of Visions; Dinah Wouters Book 2022 The Editor(s) (if applicable) and The Autho

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https://doi.org/10.1007/978-3-658-08047-1y the individual. It demonstrates that the visionary’s ideas on allegory, language, and cognition are also central to how she theorises prophecy and visions. Lastly, it suggests that Hildegard applies these theoretical insights to the literary form of her books of visions.

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Working with Content and Typography,lfth century. It analyses the allegorical form and the ideas that lie behind it as taking part in several contemporary developments in rethinking biblical exegesis and the question of theological language. Ultimately, I claim that the specific strategies employed by Hildegard in her allegory and all

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Dinah WoutersReads Hildegard from a literary viewpoint rather than historical, theological, or spiritual.Takes into account early scholasticism, modern allegorical theory, and questions of language and cognition.O

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Introduction,ough a discussion of her roles as visionary, prophet, and author. The introduction further argues that the study of twelfth-century allegory has been skewed towards Chartrian allegory and the idea of allegorical hermeneutics as a literary theory. The goal of this book is to study Hildegard’s systema

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Vision and Explanation,dence between the elements of allegory and allegoresis, which create meaning through their relation to each other. The chapter addresses other approaches to the visions, which put the emphasis on symbolism, disparateness, incomprehensibility, and the visual aspect. In contrast, my approach highlight

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Allegory as Form and Concept,legory and allegoresis. The outlines of their literary forms have been obscured by prejudices about their cultural values. The chapter identifies these prejudices and offers an alternative view of the relation between allegory and allegoresis. The second theoretical entanglement is that between form