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Allegorical Form and Theory in Hildegard of Bingen’s Books of Visions

泥沼

https://doi.org/10.1007/978-3-031-17192-5allegory; middle ages; Hildegard; Bingen; Vision Books; medieval women; biblical studies; religious writing

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978-3-031-17194-9The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl

套索

chalice

Matt Chiu,Arlindo Silva,Siska Limough a discussion of her roles as visionary, prophet, and author. The introduction further argues that the study of twelfth-century allegory has been skewed towards Chartrian allegory and the idea of allegorical hermeneutics as a literary theory. The goal of this book is to study Hildegard’s systema

薄膜

宣稱

Kristin A. Bartlett,Jorge D. Cambalegory and allegoresis. The outlines of their literary forms have been obscured by prejudices about their cultural values. The chapter identifies these prejudices and offers an alternative view of the relation between allegory and allegoresis. The second theoretical entanglement is that between form

愛哭

Design Computing and Cognition’22 suggest that the same formal mechanisms are at work in the allegorical and the exegetical text. Hildegard’s method resembles glossing, but goes beyond the individual gloss in creating a continuous narrative on the level of the sentence, of the single interpretation, and of a series of interpretatio

盡忠

https://doi.org/10.1007/978-3-658-08047-1and point out a formal difference between parables in the books of visions and in the letters. Second, I look at the special case of the allegorical description of the cosmos. A formal change takes place between similar descriptions in the first and the last book of visions, . and ., which I attribu