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Titlebook: Afrofuturism and Black Sound Studies; Culture, Technology, Erik Steinskog Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 Af

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樓主: VERSE
31#
發(fā)表于 2025-3-26 22:59:13 | 只看該作者
32#
發(fā)表于 2025-3-27 01:18:02 | 只看該作者
Interstellar Space, Outer Space and Inner Space,ler’s literature (thus a concrete “translation” from literature to sound) and second on Ras G and the Afrikan Space Program’s musical references to space, both outer and inner. Mitchell’s music is primarily acoustic, whereas Ras G’s is primarily electronically produced; thus the chapter highlights different strategies for producing sonic spaces.
33#
發(fā)表于 2025-3-27 07:07:10 | 只看該作者
34#
發(fā)表于 2025-3-27 09:54:45 | 只看該作者
Introduction: Afrofuturism and Black Sound Studies,ack sound studies is introduced as a complement to sonic Afrofuturism, highlighting the dimensions of blackness, technology, and sound in a different vein. Together these two concepts establish a platform for the book’s explorations.
35#
發(fā)表于 2025-3-27 13:42:09 | 只看該作者
Book 2018to science fiction and speculative fiction, it can also be examined from a sonic perspective.?.The sounds of Afrofuturism are deeply embedded in the speculative – demonstrated in mythmaking – in frameworks for songs and compositions, in the personas of the artists, and in how the sounds are produced
36#
發(fā)表于 2025-3-27 19:49:55 | 只看該作者
37#
發(fā)表于 2025-3-28 01:44:29 | 只看該作者
2633-5875 s, technology, and sound, this unique text offers key insights in how music partakes in imagining and constructing the future.?.This innovative volume will appeal to students and scholars of sound studies, musicology and African American studies..978-3-319-88161-4978-3-319-66041-7Series ISSN 2633-5875 Series E-ISSN 2633-5883
38#
發(fā)表于 2025-3-28 04:19:31 | 只看該作者
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發(fā)表于 2025-3-28 08:24:48 | 只看該作者
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