Titlebook: Afrofuturism and Black Sound Studies; Culture, Technology, Erik Steinskog Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 Af

四目在模仿

euphoria

Vibrations, Rhythm, and Cosmology,e Afrofuturist tradition, vibrations are understood as connecting music to the universe, which is shown in two main cases: Sun Ra’s album . and Flying Lotus’s .. The discussion of Flying Lotus also combines different Afrofuturist elements—from Sun Ra and Alice Coltrane—thus showing the continuous re

exceed

Interstellar Space, Outer Space and Inner Space,s crucial, and this space is given sound by some artists. This chapter, however, focuses first on Nicole Mitchell’s musical adaptations of Octavia Butler’s literature (thus a concrete “translation” from literature to sound) and second on Ras G and the Afrikan Space Program’s musical references to sp

牲畜欄

不如屎殼郎

警告

摻假

2633-5875 in Afrofuturism.Contributes a necessary engagement with racThis book interrogates the meeting point between Afrofuturism and Black Sound Studies. Whereas Afrofuturism is often understood primarily in relation to science fiction and speculative fiction, it can also be examined from a sonic perspecti

prostate-gland

Offbeat

Tipps, Tricks und Erinnerungen,ler’s literature (thus a concrete “translation” from literature to sound) and second on Ras G and the Afrikan Space Program’s musical references to space, both outer and inner. Mitchell’s music is primarily acoustic, whereas Ras G’s is primarily electronically produced; thus the chapter highlights different strategies for producing sonic spaces.

SYN

Freistiche als Benutzerdefinierte KEs,if the sounds take place in the present. The book’s conclusion is thus in a sense that music is a technology for imagining different times—from the past to the present—as has been shown in the previous chapters.