Titlebook: African Battle Traditions of Insult; Verbal Arts, Song-Po Tanure Ojaide Book 2023 The Editor(s) (if applicable) and The Author(s), under ex

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Oral Tradition and Cultures in Dialogue: , and fee plantation in the Paraíba Valley of Brazil, and the decision of the Brazilian Institute of Historic and Artistic National Patrimony to name . as a National Cultural Patrimony, this chapter aims to contribute to current research by taking a Trans-Atlantic and comparative approach to analyzing thi

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The Creativity of Abuse: Power, Song and the ‘Authority of Insults’ in Zimbabwean Music, Post 2017 to determine how songs of abuse demarcate contestants in the context of power struggles. I argue that the creativity of abusive language in Zimbabwean songs bestows authority to insult others during performance and through songs’ inclination to caricaturise excess, rebuke individual foibles and cen

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Bongo Fleva: Its Lyrics, “Inappropriate” Content, Source, and Possible Harmes, which is not the prototype of love relations. The findings thus constitute a baseline for further studies such as the perlocution of the lyrics on listeners. It also forms the basis for managing the music to serve its ideal functions of entertainment, education, and as a forum of the masses.

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Counterterrorism and Cybersecurityr transcription and translation into English with comments, udje study has advanced into theoretical dimensions in the twenty-first century. One such essay is Ojaide’s “Michel Foucault and the Urhobo Udje oral poetic tradition: madness, power, and resistance” in his . (8–18) on the Foucauldian natur

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