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Titlebook: African Battle Traditions of Insult; Verbal Arts, Song-Po Tanure Ojaide Book 2023 The Editor(s) (if applicable) and The Author(s), under ex

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發(fā)表于 2025-3-28 16:19:46 | 只看該作者
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發(fā)表于 2025-3-28 19:35:20 | 只看該作者
Epistemic Recuperation and Contemporary Reconfiguration of the Verbal Battle Tradition in the Poetryepistemic recuperation as one of the most significant ways of challenging the coloniality of knowledge in our present society. Although studies have shown how Tanure Ojaide and Kofi Anyidoho draw from oral tradition in their poems, these have been situated primarily in the domain of oral continuitie
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發(fā)表于 2025-3-29 02:28:09 | 只看該作者
The Creativity of Abuse: Power, Song and the ‘Authority of Insults’ in Zimbabwean Music, Post 2017chapter is: What is it in the song that so insulted the officials of the Mnangagwa administration to resort to banning the song? In addition, as these adversarial politics play out in the public sphere, what is the current status of the relationship between the state and independent artists in Zimba
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發(fā)表于 2025-3-29 06:00:17 | 只看該作者
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發(fā)表于 2025-3-29 13:36:26 | 只看該作者
Battle by All Means: Udje as Oral Poetry and Performancer transcription and translation into English with comments, udje study has advanced into theoretical dimensions in the twenty-first century. One such essay is Ojaide’s “Michel Foucault and the Urhobo Udje oral poetic tradition: madness, power, and resistance” in his . (8–18) on the Foucauldian natur
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發(fā)表于 2025-3-29 17:15:09 | 只看該作者
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發(fā)表于 2025-3-29 22:49:11 | 只看該作者
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發(fā)表于 2025-3-30 02:49:48 | 只看該作者
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