Titlebook: Affects in 21st-Century British Theatre; Exploring Feeling on Mireia Aragay,Cristina Delgado-García,Martin Midde Book 2021 The Editor(s) (i

散開(kāi)

Till Alexander Backsmann,Carmen Backsmannive affects of fear, anxiety and dejection that proliferate in their neoliberal capitalist context, and ponders the spectators’ own potential to engage in positive affects of mutual trust and responsibility for others.

inspired

Magnitude

https://doi.org/10.1007/978-3-658-02940-1ing with the associated effects of grief, defensiveness and denial, as well as white fragility and microaggressions. Goddard concludes with a discussion of Mojisola Adebayo’s . that foregrounds how affects are produced within how the performance styles of . plays combine with their urgent subject matter.

情節(jié)劇

Marc Helmold,René Dathe,Florian Hummel political strategy in the theatre works in conjunction with emotions such as anger and joy through an analysis of two contemporary theatre examples: Alice Birch’s . (2014) and Sh!T Theatre’s . (2016).

superfluous

舊石器

concise

enflame

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煩躁的女人

Kerstin Fritzsche,Walter Kahlenborne a widespread agreement that feeling is an essential part of what matters in the theatre. The cultural significance of theatre, Erin Hurley contends, lies in the fact that it performs both “feeling labour”—since it makes, manages and moves feelings—and “feeling work”—since it intervenes in how a so

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