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Titlebook: Affects in 21st-Century British Theatre; Exploring Feeling on Mireia Aragay,Cristina Delgado-García,Martin Midde Book 2021 The Editor(s) (i

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發(fā)表于 2025-3-21 19:05:05 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
期刊全稱(chēng)Affects in 21st-Century British Theatre
期刊簡(jiǎn)稱(chēng)Exploring Feeling on
影響因子2023Mireia Aragay,Cristina Delgado-García,Martin Midde
視頻videohttp://file.papertrans.cn/151/150643/150643.mp4
發(fā)行地址Brings new theorisations of affect(s) to a wide range of contemporary performance.Engages with a broad scope of recent scholarship in the field of affect studies.Considers the potential for the lens o
圖書(shū)封面Titlebook: Affects in 21st-Century British Theatre; Exploring Feeling on Mireia Aragay,Cristina Delgado-García,Martin Midde Book 2021 The Editor(s) (i
影響因子.This book explores the various manifestations of affects in British theatre of the 21st century. The introduction gives a concise survey of existing and emerging theoretical and research trends and argues in favour of a capacious understanding of affects that mediates between more autonomous and more social approaches. The twelve chapters in the collection investigate major works in Britain by playwrights and theatre makers including Mojisola Adebayo, Mike Bartlett, Alice Birch, Caryl Churchill, Tim Crouch and Andy Smith, Rachel De-lahay, Reginald Edmund, James Fritz, David Greig, Idris Goodwin, Zinnie Harris, Kieran Hurley, Lucy Kirkwood, Anders Lustgarten, Yolanda Mercy, Anthony Neilson, Lucy Prebble, Sh!t Theatre, Penelope Skinner, Stef Smith, Kae Tempest and debbie tucker green. The interpretations identify significant areas of tension as they relate affects to the fields of cognition, politics and hope. In this, the chapters uncover interrelations of thought, intention and empathy; they reveal the nexus between identities, institutions and ideology; and, finally, they explore how theatre can accomplish the transition from a sense of crisis to utopian visions..
Pindex Book 2021
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Love and the Intentionality of Affect in Lucy Prebble’s , and debbie tucker green’s e stands opposed to a notion of affect as radically entwined with conscious awareness, cognitive activity and processes of sense-making. This chapter adopts the position that a sharp demarcation of bodily from mental aspects of affective experience artificially separates what manifests only as mutua
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at the Bush Theatre: Art, Anger, Affect and Activism the interaction between Black citizens and the police is explored in the . project at the Bush Theatre. The chapter uses case studies of key plays from the 2017 production—Reginald Edmund’s ., Idris Goodwin’s . and Rachel De-Lahay’s .—to consider how they probe ways of “talking about race” and deal
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“Feeling Feminism”: Politics of Mischief in Contemporary Women’s Theatrer affective theory, the chapter examines how contemporary feminist theatre uses mischief through the staging of willful subjects who challenge popular norms of happiness and playfully disrupt neoliberal capitalist and postfeminist narratives of progress. Fragkou specifically explores how mischief as
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