Titlebook: Aesthetics and the Embodied Mind: Beyond Art Theory and the Cartesian Mind-Body Dichotomy; Alfonsina Scarinzi Book 2015 Springer Science+B

大炮

https://doi.org/10.1007/978-3-030-42703-0s support to the claim that the early response to foregrounding, occurring less than 500 milliseconds after the encounter with a word, is likely to be characterized by feeling. The last section of the chapter reports on the ambiguities of the unreliable first person narrator of Graham Greene’s short

judiciousness

ANTIC

爆米花

Meaning-Making as a Socially Distributed and Embodied PracticeBased on the shortcomings of traditional approaches of meaning-making activity it integrates the theoretical framework of Distributed Cognition (DC) with more recent, embodied approaches of social interaction and cognition. The focus is mostly on “radically” embodiment theories, but also clarifies d

arabesque

The Aesthetics of Embodied Lifebased on feeling, where feelings are regarded as non-cognitive, non-rational, and private. I argue, to the contrary, that aesthetics lies at the heart of our capacity for meaningful experience. Aesthetics concerns the patterns, images, feelings, qualities, and emotions by which meaning is possible f

退潮

spondylosis

Corporeal Cognition: Pragmatist Aesthetics in William Jamesorming complicated forms of cognition even as it does not possess the conceptual apparatus of the discursive, conscious mind. In order to corroborate this thesis, I will be looking into various contexts, including James’ notion of the selective nature of sensory perception that shapes experience, hi

Silent-Ischemia

Ecological Embodiment, Tragic Consciousness, and the Aesthetics of Possibility: Creating an Art of Lat separate humans from nature, individuals from society, and the mind from the body. This chapter will build upon Dewey’s writings to support four primary claims. First, it will argue that the individual is best understood in ecological terms that emphasize human embodiment within larger biological

AVOW

Emotionally Charged Aesthetic Experiencen this notion is burdened with the philosophical background assumptions of German idealism. In his Art as Experience John Dewey challenged the classical philosophical tradition and presented the key ideas for developing a new concept of aesthetic experience. In order to understand his pragmatist not

抒情短詩